The Humanism of Jan van Eyck's Arnolfini Portrait
Public domain image courtesy of Wikimedia Commons . Jan van Eyck's Arnolfini Portrait was painted in 1434. It is believed to depict Giovanni di Nicolao Arnolfini and his wife at their residence in the Flemish city of Bruges. Van Eyck lived and worked in Bruges from 1432 until his death in 1441, so it is likely this portrait was created or at least planned on-site at the residence. As with many painters during the Northern Renaissance period, Van Eyck used oil as his medium, allowing him to use layers of wet paint and translucent glaze in order to add the subtle variations in color and tone that bring this work to life. In her biography on Van Eyck for The Metropolitan Museum of Art, Susan Jones says, "His artistic prestige rests partly on his unrivaled skill in pictorial illusionism. [. . .] Van Eyck’s ability to manipulate the properties of the oil medium played a crucial role in the realization of such effects." Humanism ...